Taylor 524ce (V-Class)

Taylor 524ce (V-Class)

All Mahogany
1-3/4" Nut • 25-1/2" Scale • A/E

Regular price $2,899 + FREE SHIPPING Sale

Questions? Contact Sean and John at mail@avenueguitars.com or (719) 634-2228

Taylor 524ce  all-mahogany acoustic-electric guitar featuring their new V-Class bracing system. 

Click here to learn more about V-Class bracing on Taylor's website.

Taylor's Description

This all-mahogany cutaway Grand Auditorium enjoys a sonic upgrade with addition of V-Class bracing.

Mahogany typically delivers a focused sound with a full midrange, and a hardwood top like mahogany adds a natural compression to the response, helping to create a balanced articulation across the tonal spectrum, which benefits lively strummers.

The V-Class treatment allows those sounds to flourish with greater volume, longer sustain, and more harmonic agreement between notes, which helps chords sing in a whole new way.

A shaded edgeburst around the body and neck adds a vintage treatment to the dark, rich-grained mahogany, and the top has been left pickguard-free to preserve the rootsy character of the wood.

Understated appointments include grained ivoroid Century fretboard inlays with a new peghead inlay, faux tortoise shell binding, and a faux tortoise/ivoroid rosette.

The guitar comes equipped with our proprietary ES2 electronics, and ships in a deluxe hardshell case.

Grand Auditorium Body Size

A versatile guitar shape equally suited for fingerpicking and strumming.

Body Length: 20" / Body Width: 16" / Body Depth: 4-5/8"

  • An original Bob Taylor design introduced in 1994
  • Full in the lower register, present in the midrange, and sparkling on the treble strings
  • Taylor's signature shape embodies the ultimate all-purpose acoustic
  • Their most popular shape and a good place to begin your search

As Taylor's most popular and versatile body shape, the mid-size Grand Auditorium arrived in 1994 bearing refined proportions that fell between a Dreadnought and Grand Concert.

While the bigger Dreadnought was traditionally considered a flatpicker’s guitar and the smaller Grand Concert catered to fingerstylists, the GA was designed to deliver on both fronts.

The shape produced an original acoustic voice that was big enough to handle medium-strength picking and strumming, yet with impressive balance across the tonal spectrum, especially in the midrange, producing clear, well-defined notes that suited both strumming and fingerstyle playing.

The GA’s overall presence tracks well with other instruments both in a studio mix and on stage, and singer-songwriters have embraced its utility both for composing and traveling with one guitar.

Many people want a single guitar that can cover a variety of styles, which is why the GA continues to be Taylor's bestselling shape. If you want a great all-purpose guitar, the multi-dimensional GA won’t let you down.

Mahogany Top

As a top wood, mahogany produces a natural compression, so it won’t yield as quick a response as a spruce-top guitar will. A mahogany-top guitar will produce strong fundamentals, with clear and direct focus. It might be characterized as having a woody, dry tone.

Origin: Central and South America

  • A hardwood top with more density than spruce or cedar
  • The stiffness initially yields a bright tone that gradually gets deeper

Harder, denser woods like mahogany and koa that are used on the back and sides of a guitar are sometimes used as tops. Their stiffness initially translates into a slightly brighter tone, but the more a mahogany-top guitar is played the more it develops overtones that contribute to a fuller, richer sound.

A mahogany-top guitar might appeal to rootsy players who like a little extra punchiness in their tone.

Goes Well With: Blues and roots players, anyone who likes an slightly more burly or punchy quality to their tone.

Mahogany Back & Sides

Mahogany is known for its meaty midrange character, featuring a strong fundamental focus often described as “punchy,” “woody,” or “dry,” because it doesn’t produce a lot of ringing overtones. Mahogany’s earthy voice has been featured on many roots music recordings over the years.

Origin: Central and South America

Mahogany is a good wood to anchor a discussion of tones, as a lot of other wood tones can be described in relation to it.

Its essential sonic profile is well represented in the midrange frequencies. Acoustic guitars in general tend to live in the midrange portion of the sound spectrum, but mahogany in particular displays a lot of midrange character.

That thick, present midrange sound is sometimes described in guitar circles as meaty, organic or even "chewy" wherever a player digs in on the fretboard, they're tapping into the core of the harmonic content of what a guitar produces.

Those great midrange frequencies produce overtones that stack up and produce bloom, giving the sound extra girth. When one hears the resulting harmonics, the "chewy" tone serves up a big mouthful of midrange. As a popular tonewood for many decades, mahogany has been used on scads of old school acoustic recordings, and that sonic heritage carries across various strains of roots music, from blues to folk to slack key.

Goes Well With: A broad range of players and musical styles; people who like a well-balanced tone, nice dynamic range and a healthy serving of overtones.

Blues and other rootsy players tend to respond well to mahogany's midrange character. A smaller body mahogany guitar (GC or GA) might appeal to fingerstyle players, whereas more aggressive flatpickers might opt for a mahogany Dreadnought or GS.

For versatility, a mahogany GA is a good bet. Because of mahogany’s midrange, a player with"dark hands" will tend to sound darker on a mahogany guitar. A bright player will sound slightly less bright.

Expression System 2 (ES2)

The Expression System® 2 captures more of a guitar’s dynamic properties using a breakthrough behind-the-saddle design

The Taylor Expression System® 2 (ES2) is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification.

The heart of the Expression System 2 is Taylor’s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before.

Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar.

Click here to learn more about the ES2 on Taylor's website.

Body SizeGrand Auditorium (GA)
Top WoodMahogany
Back & SidesMahogany
FingerboardEbony
Nut Width1-3/4"
Scale Length25-1/2"
String Spacing2-3/16"
ElectronicsTaylor ES2
StringsElixir Light Nanoweb 16052 (12 - 53)
CaseTaylor Hardshell Case