The 314ce is Taylor's flagship acoustic-electric guitar and one of their most popular models.
It's a no-frills workhorse featuring a Grand Auditorium body size with Sitka top, sapele back/sides, and an ebony fingerboard.
The 314ce is equipped with Taylor's proprietary Expression System 2 pickup for a great acoustic sound when playing plugged in.
1-3/4" nut, 25-1/2" scale.
Includes hard case.
The acoustic/electric 314ce responds well to a wide range of playing styles thanks to Taylor’s medium-size Grand Auditorium body. Sapele shares mahogany’s strong and focused midrange response and, together with a Sitka spruce top, rings out with brightness and clarity.
The Elixir® HD Light strings are custom calibrated to optimize the tone with bolder highs, fuller lows, and more overall warmth, giving players an expressive tonal palette. Black binding flanks sapele’s ribbon-like grain, with small diamond fretboard inlays in Italian acrylic adding a traditional touch.
The guitar incorporates a Venetian cutaway, comes equipped with Taylor’s Expression System 2 pickup, and ships in a Taylor deluxe hardshell case.
Grand Auditorium Body Size
A versatile guitar shape equally suited for fingerpicking and strumming.
Body Length: 20" / Body Width: 16" / Body Depth: 4-5/8"
An original Bob Taylor design introduced in 1994
Full in the lower register, present in the midrange, and sparkling on the treble strings
Taylor's signature shape embodies the ultimate all-purpose acoustic
Their most popular shape and a good place to begin your search
As Taylor's most popular and versatile body shape, the mid-size Grand Auditorium arrived in 1994 bearing refined proportions that fell between a Dreadnought and Grand Concert.
While the bigger Dreadnought was traditionally considered a flatpicker’s guitar and the smaller Grand Concert catered to fingerstylists, the GA was designed to deliver on both fronts.
The shape produced an original acoustic voice that was big enough to handle medium-strength picking and strumming, yet with impressive balance across the tonal spectrum, especially in the midrange, producing clear, well-defined notes that suited both strumming and fingerstyle playing.
The GA’s overall presence tracks well with other instruments both in a studio mix and on stage, and singer-songwriters have embraced its utility both for composing and traveling with one guitar.
Many people want a single guitar that can cover a variety of styles, which is why the GA continues to be Taylor's bestselling shape. If you want a great all-purpose guitar, the multi-dimensional GA won’t let you down.
Sitka Spruce Top
The most commonly used wood for guitar tops, Sitka generates a broad dynamic range and accommodates numerous playing styles, from aggressive strumming to fingerpicking.
Origin: Northwestern North America (Coastal Rainforests of Alaska and Canada)
As a guitar soundboard, or top, Sitka spruce is the tonewood standard of the modern era.
It’s used on 85-90 percent of the guitars that Taylor makes. Its combination of strength and elasticity translates into a broad dynamic range, yielding crisp articulation and allowing for everything from aggressive strumming and flatpicking to fingerpicking.
Sitka spruce is Bob Taylor’s personal favorite for an all-around great guitar.
Goes Well With: All styles of guitars and players.
Sapele Back & Sides
Sapele’s tonal output is consistent and balanced across the tonal spectrum, making it compatible with a diverse range of playing styles. It’s comparable to mahogany but its higher density tends to produce a slightly brighter sound with more top-end shimmer.
Origin: West Africa
Used On: 300 Series, Acoustic 3 Series, Laminate 100 Series, GS Mini, Baby and Big Baby
An alternative tonewood that joined the Taylor fold over a decade ago. It’s sometimes mistakenly referred to as African mahogany because it closely resembles the West African wood khaya, which is commercially known as African mahogany.
Sapele is a highly sustainable, relatively fast-growing wood. Tonally, it does everything that mahogany does, with a little extra treble zing. We’ll be able to offer it for a long, long time.
Goes Well With: Everything. Like ovangkol, it’s a great all-purpose tonewood that will deliver a consistent, balanced tone in a variety of playing applications, from fingerstyle to strumming.
Expression System 2 (ES2)
The Expression System® 2 captures more of a guitar’s dynamic properties using a breakthrough behind-the-saddle design
The Taylor Expression System® 2 (ES2) is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification.
The heart of the Expression System 2 is Taylor’s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before.
Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar.